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full coverag´ÔÀÇ ±ÛÀÔ´Ï´Ù. :I think what Suerman wants to say is that current German designers are more influenced by design from around the world – not just the gGerman design from the past century. A look at Germany’s neighbours often show a more witty, organic, emotional and sometimes deliberately messy design language instead of pure rationalism. And these influences can be seen in the works of younger German designers – which he tries to support with DMY and this statement.